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Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Tuesday, September 16, 2025

New Audiobook Releases: The Deep Space Scrolls, Guide to Fortune-Telling By Dreams

 New in audiobook:


What does it mean for your future if you dream of cats, beans, knives, or an earthquake? This anonymous author knew back in 1894 and now all of their dramatic A to Z secrets can be revealed. Learn the meanings of dozens of dream-objects and how they can foretell the future, at least according to this old-timey "science."

Find it from these retailers:

NOOK Audiobooks: https://www.barnesandnoble.com/w/guide-to-fortune-telling-by-dreams-anonymous/1148152682?ean=2940203505866

Everand (Scribd): https://www.everand.com/audiobook/909357316/Guide-to-Fortune-Telling-by-Dreams

Kobo, Walmart: https://www.kobo.com/us/en/audiobook/guide-to-fortune-telling-by-dreams?sId=0b847828-3c59-4a1f-8464-1732293b7eff&ssId=c-St_smNKF9hhofApQ3UH&cPos=1

Spotify: https://open.spotify.com/show/2hDTgKfwCHjBULUsUsGUwZ


Hear a short sample of the introduction on YouTube: 


The other new book I published in audio format is The Deep Space Scrolls:

Robert Franklin Young (1915-1986) was a science fiction short story writer and novelist from New York State whose career spanned 50 years. In The Deep Space Scrolls, he imagined the voyage of the starship Camaraderie 17 as it encountered the mysterious Spaceship X. The circumstances of that mysterious craft cause pilot Colonel Greaves and the senator committee who interview him to question the nature of human history. It provides proof of the most unlikely story in the most unexpected place possible.

You can find it at these retailers:

NOOK Audiobooks: https://www.barnesandnoble.com/w/the-deep-space-scrolls-robert-f-young/1137360723?ean=2940203726186

Kobo, Walmart: https://www.kobo.com/us/en/audiobook/deep-space-scrolls-the?sId=d631ebe0-8111-42d9-827b-39eb2df35d2b&ssId=sOxVsinVmkZuHUrvel1Cv&cPos=1

Spotify: https://open.spotify.com/show/4GDgVIrk7K9vKSc5WWFwE3

Don't forget, you can always check aeess.com for the latest audiobook releases. You can download the mp3 file, yours to own, directly from me. I get to keep all the royalties except the cut that the payment processor takes. 

Thursday, November 9, 2023

More November 2023 Book Deals on Audible.com

These audiobooks are on sale through November 30, 2023:

Dark Lover: The Black Dagger Brotherhood, Book 1

Link: https://amzn.to/3QSrKHJ

For one brief season, FX/Hulu had a series based on the first part of Octavia Butler's time travel novel Kindred, which I haven't read. I starred the wonderful Mallori Johnson as the novel's heroine Dana James. It also featured Australian actor Ryan Kwanten, who played Jason Stackhouse on True Blood. He played one of the worst characters, a plantation owner. But the series got canceled, so I don't know how the story ends.

Parable of the Talents 
This one I have read: A Wizard of Earthsea: The Earthsea Cycle, Book 1 

Link: https://amzn.to/3SyIHbp

Link: https://amzn.to/3MwzkoQ

This one is narrated by Ashley Judd: Together We Rise: Behind the Scenes at the Protest Heard Around the World
Link: https://amzn.to/40tnD87

 The Real Lolita: The Kidnapping of Sally Horner and the Novel That Scandalized the World
 
Link: https://amzn.to/475kLRk

Monday, June 19, 2023

Amazon Audible Audiobook Deals Expiring on July 1, 2023

While your humble blogger here is in between day jobs, I've signed up to try my hand as an Amazon affiliate. As you know, I'm a big reader and a big podcast listener, so it seems like a natural fit for me to recommend some audiobooks. These books are on sale through July 1, 2023 at midnight. These are affiliate links, so if you click through and purchase something, I may earn a small commission on your purchase. Hopefully you have some Audible credits!

First up is Confident Women: Swindlers, Grifters, and Shapeshifters of the Feminine Persuasion, nonfiction/true crime by Tori Telfer. I haven't read this one, but I read Telfer's previous book Lady Killers: Deadly Women Throughout History, and that was fascinating.

Next is a classic: The Time Machine by H.G. Wells. This classic science fiction novel is 53% off during the sale period. 

H.G. Wells by Alvin Langdon Coburn, November 2, 1905, photogravure, from the National Portrait Gallery which has explicitly released this digital image under the CC0 license. (https://npg.si.edu/object/npg_S_NPG.87.288.F)

If you're into science fiction, you may also be interested to know that Robert Heinlein's Have Space Suit, Will Travel is also on sale.

This paranormal romance title, Crouching Tiger, Forbidden Vampire, is a book I've read, in print form, and I really enjoyed it. You can read my review here on the blog.

Scott Lewis's Mythology: Mega Collection is only available from Audible. This omnibus edition contains volumes 1-8 of Lewis's Classical Mythology Series. It includes stories from Celtic, Chinese, Egyptian, Greek, Hindu, Japanese, Mesopotamian, and Norse mythology.

Finally, if you like mythology and folklore and you also like classics, you may be interested in The Complete Fairy Tales of the Brothers Grimm for 41% off. 

Monday, August 19, 2013

Movie Review: The Host

When I read Stephenie Meyer's novel The Host (book review here), it didn't quite work for me either as a romance or as a science fiction movie. Still, I consider seeing the movie based on a book something of a reward for having read that book, so I was excited to see the film version of The Host. I missed it in the theater, but I watched it at home last night.


This is one of those rare cases where a movie is better than the book. All the scenes of waiting around for some action to happen are neatly condensed into a scifi movie that isn't boring. It's a good-looking movie, pretty much the way it looked inside my head (except I thought that Healer Fords was an American Indian man), and the musical score by Antonio Pinto is gorgeous. If you're not familiar with the plot, here's a brief summary: the Earth has been conquered by a species that calls itself the Souls. They're symbiotic, living inside human bodies. The human personality disappears - usually. 

When Wanderer arrives on Earth, she finds herself bonded to the body of a young woman named Melanie, but Melanie refuses to disappear without a fight. The two share a body, and Melanie leads Wanderer to a small surviving group of symbiote-free humans, including Melanie's Uncle Jeb and Aunt Maggie, her younger brother Jamie, and Melanie's lover Jared. Because Wanderer shares her body, Melanie's relationship with the other humans is complicated. One man, Ian, attempts to kill Wanderer, but then ends up having feelings for her (which makes Melanie jealous). 

Wanderer uses the Souls' advanced medical knowledge to heal Jamie when he almost dies from an infection, then teaches the humans to nonviolently remove Souls from their human hosts, leading to increased peace between the band of humans and some of the Souls. Melanie Stryder and Wanderer are played by Saiorse Ronan. The last thing I saw her in was Hanna, in which she played a modern young warrior woman, which was pretty awesome. I've also seen her in two literary adaptations, both of books I haven't read - Atonement (the love story you watch when you want to weep your eyes out) and The Lovely Bones. Ronan was born in 1994, so she's still only 19, but she's grown into a very beautiful woman. I guarantee you that by 30 she will be a legendary red carpet beauty. Jared is played by Max Irons, who was in Red Riding Hood (loosely connected to Twilight in that it was directed by Catherine Hardwicke like the first Twilight film, and it featured Billy "Charlie Swan" Burke) and who is the son of Jeremy Irons. (Anagrams of Max Irons that might describe his personality include Arson Mix, Soar Minx, As In Mr Ox, and Ram In Sox.) 

I have the same problem with Melanie and Jared's romance in the movie as I had in the book - I just don't feel that there's a lot of passion or heat there, except in one brief scene in which Jared remembers kissing Melanie and sees his memory in a dream. Max Irons is very pretty to look at, though. He is an English model as well as an actor, so think young Rupert Everett. (I say this knowing full well that Rupert Everett has aged extremely well and is, in fact, sexier now than he was at 25.) My feels reside more with Ian and Wanderer - he falls in love with her personality, not her physical body, although he does find her silvery, wispy natural form to be beautiful. (It's one of the most touching scenes of the book; in the movie, Ian is depicted holding another Soul, not Wanderer.) 

Ian is played by Jake Abel, who was in I Am Number Four (with Teresa Palmer from Warm Bodies) and the Percy Jackson movies as well as appearing in The Lovely Bones. It would be a nice symmetry if Abel and Ronan had played love interests in that movie, but while Ronan played the main character Susie, Abel had a small role as Susie's best friend's boyfriend. (He has one major scene - mistakenly thinking Susie's dad is attacking his girlfriend and beating Susie's dad with a baseball bat, badly injuring the dad's knee.) 

The stubborn Seeker who pursues Wanderer beyond what is normal for the cooperative-minded, peaceful Souls is played by German actress Diane Kruger. I may remember her from such films as Troy (in which she played Helen), the two National Treasure movies, and Inglourious Basterds (the film in which I discovered the beauty that is Michael Fassbender). She's a character you love to hate, but Kruger plays this character beautifully. The Seeker has a secret - she's fighting a losing battle with the human whose body she inhabits, and she can't stand her own perceived weakness for not being able to conquer the supposedly inferior human mind. She gets her interplanetary comeuppance. I was a little disappointed in the book - I gave it three out of five stars - but the movie was better than I expected it to be. Unless you're a hardcore Stephenie Meyer fan, you can probably skip the book safely and see the movie. It doesn't suck. Four out of five stars.

This is an affiliate link:

Friday, April 5, 2013

Book Review: The Host by Stephenie Meyer

The Host (The Host, #1)Yep, I jumped on the bandwagon. I read The Host by Stephenie Meyer

My rating: 3 of 5 stars

The concept behind this novel is an interesting one, but the execution falls short for a few reasons. First, there isn't enough action to justify the book's 619 pages.

Second, the best thing about the Twilight series - the way it captures the unreasoning, headlong way young people fall in love - is absent from The Host. There's a love triangle of sorts (technically it's a love quadrilateral), but during very few passages of the entire novel did I get the sense there was very much real passion or intensity of feeling on the parts of any of the alleged lovers.

To me, Ian's feelings toward Wanderer seemed the most romantic, since he loved her purely for her personality and her mind, completely divorced from her human host body. The one time I choked up at all was when Ian described holding Wanderer in her true form. Wanderer, as narrator, kept telling me that Jared loved Melanie, but I didn't really FEEL it.





Third, since the novel failed to be particularly romantic, I hoped it would at least be really interesting science fiction - but it isn't. This is related to point one - numerous scenes of waiting and deliberating rather than scenes of action - but apart from that, Meyer saves the best off-planet alien action (the claw beast story) for the last fifth of the novel. There isn't enough science to qualify this as true science fiction; instead it comes off as second-rate scifi.

One thing I did like about the writing was Meyer's description of Wanderer's willingness to give up her life to be a mother to new souls. I must have seen or read some interview with Meyer in which she described herself as a mother first (she has three sons) and a writer second. I'm a writer first and a mother never, and even though her experience is different than mine, I really admire and enjoy the way Meyer's books show the beauty and value of motherhood - or at least of parenthood, because even though Wanderer considers herself a female soul, her species seems to reproduce asexually. At least, it wasn't clear that she was going to need a male soul's DNA to split herself into many smaller souls.

The point is, Wanderer was willing to die so that the next generation could be born. Her entire personality is peaceful, cooperative, and empathetic, and it's completely in character for her to be willing to make the ultimate self-sacrifice so that life could continue. That's what good parents do, isn't it? They don't have to literally die - usually, hopefully - but they do have to sacrifice some of the things that they like and want to invest enough time and attention into their young ones. If you choose to be a parent, you're making a very admirable sacrifice.

I really did like Wanderer as a character, and the personality contrast between Wanderer and Melanie.

Overall, this novel was worth exactly one read, but I have nowhere near the attachment to it that I have to the Twilight series.

View all my reviews


Previous Stephenie Meyer posts

Book Review: The Gospel According to Twilight by Elaine Heath

The Silver Kiss by Annette Curtis Klause v. Twilight

The Ultimate Twilight Fan LinkUp Post

Twilight of the Goddesses - comparison of the women in Twilight to classical Greek goddesses

The Best Parts of Breaking Dawn Pt. 1

BD Pt. 2 Countdown - Twilight
BD Pt. 2 Countdown - New Moon
BD Pt. 2 Countdown - Eclipse
BD Pt. 2 Countdown - Breaking Dawn Pt. 1

Is St. Marcus Day Real?

Saturday, February 25, 2012

REVIEW: SOLARIS by guest blogger Jordan Siron

Solaris began its life as a science fiction novel written by Polish author Stanislaw Lem. After garnering a substantial amount of praise from readers and critics alike, in 1972 Lem’s novel was adapted for the silver screen by director Andry Tarkovskiy. While it stuck very closely to the novel (Lem, himself, said it was the best adaptation possible), and is considered by many to be a classic, I have always had my nits to pick. I don’t know if it’s the pacing or the score – or both – but I have always failed to connect with the film. Luckily for me, exactly 30 years later, Steven Soderbergh and George Clooney joined forces to make an updated version. In my eyes, we’re all the better for it.




The Basics

For those who are unfamiliar with both the book and the adaptation, Solaris is the story of Dr. Chris Kelvin (George Clooney), a brilliant psychiatrist who ironically spends his days silently grieving over the death of his wife, Rehya (Natascha McElhone). One evening while Chris is preparing dinner for himself, two government agents enter his home and deliver a pre-recorded message from his colleague, Dr. Ghibarian (Ulrich Tukur). Ghibarian, it turns out, was on board a small spaceship researching an unidentified mass in space called Solaris – neither planet nor sentient being.




As the message goes on, we learn that something has gone wrong and that each member of the crew has been driven to isolation in order to avoid strange hallucinations. Convinced the visions and Solaris are not connected, Kelvin is sent to the research vessel in order to diagnose the members of the crew. What he discovers is something that cannot be diagnosed, understood, or classified. When Kelvin begins having hallucinations of his dead wife, it becomes clear that Solaris is a force all its own – of good or of evil, however, may never be known.

Review and Analysis

Solaris, much like the book and adaptation before it, is a remarkably subtle film. Apart from that, it is a very refreshing entry in a genre that has been convinced by box office sales that it solely exists to show heroes with laser guns taking down alien hordes. Solaris was, in my opinion, the film that brought dignity back to the American made science fiction films. In fact, so much of the film’s look and tone can be seen in later genre gems such as Children of Men and Moon. Soderbergh truly made the most out of the opportunity, and it shows in every frame and in every line of dialogue.

The cast includes Clooney and McElhone, primarily, but is supported by the characters of Dr. Gordon (Viola Davis) and Snow (played by a wonderfully anxious Jeremy Davies). Gordon and Snow are the only two members of the crew left on board the ship, and, while we do not know exactly how much time has passed since the visions began, Davis and Davies play their parts believably – one suspicious and overly cautious, and the other unsettlingly unaffected. While Gordon and Snow do not get as much screen time as Kelvin and Rheya, the moments they are on screen are absolutely delightful to watch.


As mentioned above, the film possesses a subtlety that adds to the tension in each scene in ways that would not be possible otherwise. The lack of a score throughout most of the scenes taking place on the spaceship is almost hypnotic, and really demonstrates how silence can often be musical in its own way. When there is a score it is both moving yet subtle, and without a doubt some of the best music paired with any film to date.

As for the cinematography, there are no words in any language to give Steven Soderbergh’s own work the praise it deserves. Perhaps some of the most beautiful shots in the entire film are the flashbacks of Kelvin’s time with Rheya before her death. The top and bottom of the frame feature a gradual fade that makes the action taking place in the center seem as though it is somewhat clouded, as if any moment it may return to the miasma of Kelvin’s repressed memories. Much like the images in Woody Allen’s Manhattan, every shot composition could stand as a work of art in its own right.

Alas, all of the hard work and craftsmanship would be for not without a story to which the audience could cling. To the credit of both Stanislaw Lem and Steven Soderbergh, Solaris is exactly that such story. Watching Kelvin struggle with the repeated loss of each iteration of Rheya tugs mercilessly at the heart strings, and we share his sense of hopelessness when he comes to the realization that he will never get to live the life he so loved before tragedy set down upon him.

Great drama aside, the theme that lies at the heart of the film is what truly drives each and every scene. Lem always maintained that the book was meant to teach one of the most difficult life lessons we all must learn: Communication – real and honest, and unfaltering – is impossible, even between two members of the same species, let alone a force that cannot be understood on the most superficial level.




It doesn’t matter if Solaris is a planet, a sentient being, or (as one theory proposes) God itself. Everything that can be said by either party will be misconstrued; heard, but not comprehended. Good science fiction entertains, while great science fiction reminds us of issues in our day-to-day lives that will worsen if left unchecked. Solaris is in a whole other echelon, and surpasses definition.

I suspect Lem would find that rather fitting.

Jordan Siron is a freelance writer/blogger living in Orlando. 

Thursday, December 8, 2011

When, Where and How? ~ Guest Post by Steven M. Moore

When, where, and how do writers’ ideas originate?

The short answer: anywhen, anywhere, anyhow. I’m speaking about fiction writing, of course. For non-fiction writing, including essays and memoirs, authors generally have all the ideas laid out and just have to connect the dots (that in itself is a nontrivial process, especially with essays, but usually the ideas are already there). For fiction writing, the question in the title is the most common one I receive from readers.



I wrote my first novel during the summer I turned thirteen. It was terrible, although not very different from the movie City of Angels—so maybe the idea wasn’t half bad. If I remember correctly, I had a lot more erotica in my novel than what happened between the Meg Ryan and Nicolas Cage characters in the movie (it was PG-13, after all). The sexes of my protagonists were also inverted (if angels can have a sex). Not bad for a pubescent teen, but a terrible writing job, nonetheless.


I live my short answer above. For example, I have managed to drive two wives crazy when I shuffle off in the middle of the night to my desk to write down an idea that just came to me. The frightening thing is that I did the same thing when I was wrestling with a theory or algorithm in my previous career as a physicist. Story detail or equation, the middle of the night is one source of ideas for me. I find this completely natural. When you finally vanquish insomnia and enter that REM world, your mind relaxes and can make intuitive leaps not possible when you’re consciously panning for that golden nugget of an idea.

In both science and writing, I work top-down. I have the big picture; I just need to fill in the details. Orson Scott Card once said, “Novels aren’t built out of short stories. They are built out of scenes.” The first ideas that come to me are a general plot, then the scenes. Short stories are different. The so-called literary novel often is too, although the best of those, the ones with staying power, are still built on scenes. That’s because real life is often just a series of connected scenes. Once I have the general plot and the scenes, I have the solution to my novel writing problem. The adage then holds—I work hard from thereon to fill in the devilish details.

The details are what come to me in the middle of the night. Or, in my previous career, when I was driving home from work after my day job. Or, sitting around the lunch table, shocking the young kids with my radical politics and irreverent observations about modern society (this has carried over to my op-ed posts on my blog, if anyone is interested). Or, faced with a blank paper napkin in a coffee shop or bar. Coming up with the details is a bit like Zen enlightenment—you have to empty your mind or at least completely distract it, putting it into a state of relaxation.

Sometimes this process is fast; other times it’s painfully slow. I can’t control that, although my characters sometimes help by taking over. I often use many characters. Pirandello’s author only had six to torture him. I’ve found that the more I have, the easier it is to put the meat on the scenic skeleton of the story. They don’t all survive, of course. I’m a slash-and-burn editor of my own material. Sometimes I get even and kill off a character. (That happened to Old Bob in my novel Full Medical. A reader complained, so I wrote the short story “Character Assassination” to make him feel better.)



The Midas Bomb was one of those novels where I couldn’t seem to type fast enough. The details came in an intense rush. The plot came to me in the shower one day and I thought it through as I drove to my day job. I wanted a vehicle for my favorite villain, Vladimir Kalinin, who played a minor role in Full Medical and major ones in Evil Agenda and Soldiers of God. As luck would have it, in the process of writing The Midas Bomb, I created two other more noble characters, NYPD police detectives Chen and Castilblanco. Nevertheless, the original plot, the big idea of The Midas Bomb, came when I was rinsing off the soap in the shower: a hedge fund owner teams up with al Qaeda to short the stock market after an attack on Wall Street. Considering that the book was written just after Bear-Stearns and before the financial collapse of 2008, it’s my most prescient work.

I write sci-fi thrillers. In The Midas Bomb, the thriller aspect (fighting terrorists) is obvious. The sci-fi is in the dirty bomb, the “radioactive dispersive device” that Vladimir concocts for the terrorists to use (I should say “sci” since the “fi” is evident, although the Times Square bomber came very close to negating that). But what about the characters?

Vladimir, a sociopath, is also a sex-aholic. He’s not a pervert, though, since he has enough money to buy all the gratification he needs (a different kind of perversion?). The terrorist, Lydia Andreyevna Karpov, is probably my sexiest creation. This brings me back to characters and the details mentioned above. Human beings are sexual. Sex, all kinds of sex—normal, kinky (what’s normal?), lesbian, gay—play such a role in human affairs that I believe characters become two-dimensional if there’s no sexuality. Maybe I’m wrong.

I’m reminded of the famous sci-fi writer Robert Heinlein who ended his life as a “dirty old man” if his last books are any indication. It all started more or less with Strangers in a Strange Land that became something like the hippies’ bible back in the sixties. Maybe he wrote an erotic novel at thirteen and came full circle? My writing future might come full circle too. Who knows?

I do know that sex and sexual tension are some of the details I’ve mentioned that are hard to write. To go from the scene title “Lydia seduces Enrique” in The Midas Bomb to describing the details was not easy for me. In this and many other instances, the adage “write what you know” just doesn’t cut it—the writer often has to use his greatest asset, his imagination. Sorry, that’s something you can’t teach—I don’t care how good your MFA program is.

I was de facto an only child. My brother, bless his soul, was six years older and generally didn’t like a little bugger like me tagging along in his “big boy” activities. I was forced to develop an active imagination. I wasn’t into imaginary friends or anything like that, but I would do things like pretend I was Tarzan and swing naked on a vine with knife clenched in my teeth and then drop into the murky waters of an irrigation ditch (Californian words for “river”). Moreover, I was an avid reader.


If you allow me to make the analogy between writing a novel and solving a physics problem, imagination is what we call the intuitive leaps we use to perform both these creative activities. Many of the details readers wonder about well up from that imagination spring. I think the proverbial writer’s block is just that spring running dry. I don’t know what to do for the writer when that happens. Wait for the Poland Springs truck, I guess.

Many writers only have one good story to tell. Two examples are Harper Lee’s To Kill a Mockingbird and Truman Capote’s In Cold Blood, although one can argue that Capote’s friend Lee should have been a co-author of Capote’s book. My old English prof, N. Scott Momaday (House Made of Dawn), is another example. Others have many stories to tell—both Heinlein and Asimov come to mind in the sci-fi world, Follett in the more literary world. The latter are lucky. The former, like Lee and Capote, sometimes lead traumatic lives (fortunately, Momaday hasn’t). Maybe the human tragedy is that often those single novels are superb works of art. It’s as if Beethoven wrote only one symphony.

I have the good fortune that I have many stories to tell. In my mind’s closets, there are many skeletons, many plots with a good number of scenes already configured. I just have to find time to write down the details. And there’s the rub….

***

Steven M. Moore has written six sci-fi thrillers: The Secret Lab, The Midas Bomb, Full Medical, Evil Agenda, Soldiers of God, and Survivors of the Chaos. The first is a novel for young adults. His interests include mathematics, physics, forensics, genetics, robotics, and scientific ethics, as well as writing dystopian novels containing a glimmer of hope. He has an active blog comprised of op-ed posts, book reviews, interviews, short stories, and comments on the writing business. His wife and he currently live in New Jersey. Visit him at his website: http://stevenmmoore.com.




Angel art by Adi Holzer

Saturday, December 3, 2011

Excerpt from DREAM TRAVELER by Neil Ostroff

DREAM TRAVELER Blurb: Every time Jamie Richards falls asleep, she’s bounced through time and injected into possible futures. And all of these diverse futures lead to one horrifying conclusion; the end of everything.

EXCERPT:

I am Vixtan!

Words came into Jamie Richards’ mind as clearly as if someone had spoken them aloud. She was instantly awake. Nausea swirled in her belly. Pins and needles prickled her skin. She sat up against the trunk of the old apple tree and looked around Macungie’s orchard.

“Who said that?” she asked.

Afternoon shadows had lengthened since she’d laid down to nap. The sky was mirror clear except for a puff of cloud suspended lazily above.

I must collect you!

The voice startled her again. It was so clear, so distinct. She scrambled to her feet.

You do not require a mortal shell to house your spirit as we travel the strings. I will provide a duplicate of your physical when we reach our destination.

“Who’s speaking?” she shouted. “Who’s there?”

She spun around and noticed someone lying beneath the apple tree with their hands pillowed behind their head and a math book beside them. She recognized the face. Fear spiked.

“That’s me!” she shrieked and looked down.

Nothing was there. Her body, her legs, her feet, everything was gone. Her unseen hands swished through empty space where her chest and stomach should have been.

The cloud dropped and enveloped the orchard in dense mist. The mist swirled and condensed into a single, basket-ball size ball of spinning fog.

Your spirit will only be away from this dimension for a few seconds. Your body will be safe.

Jamie looked at herself asleep under the tree.

“Is this a dream?” she asked.

Dream worlds are as real as the physical.

The cloud enveloped her consciousness and they bolted into the sky. It was a weird feeling, as if she were stuck inside a helium balloon let loose. Her belly swooned. Borders of the orchard disappeared as they reached the bright white haze of the upper atmosphere. A moment later, she felt Vixtan’s consciousness leave her own. Dots of multi-colored light appeared, swirled in a tornado around her, and assembled into her body, complete with the brown button-down shirt and blue jeans she’d been wearing. Air beneath her feet became a solid, yet marshmallow-consistency. She patted her face, her sides, wiggled her fingers and toes; ran a hand through her long, brown hair. It all felt real.

A humanoid being, small and rail-thin, stepped toward her. Two enormous, pupil-less black eyes stared at her from above a small, knobby nose and horizontal slot of a mouth. A gray body suit covered its entire body like skin. It had hooves for feet.

“Vixtan?” she questioned.

“This is what my people looked like before we evolved into pure energy,” Vixtan replied.

“What is this?” Jamie asked, her voice quaking. “Where am I?”

“Not where,” Vixtan corrected. “When. This is the city of Phelastia, which exists three hundred thousand years in your future.”

Mist cleared as if wiping a fogged lens. Huge, ivory-colored spires jutted into the pearly atmosphere and sparkled in the ultra-bright light shining from a pinpoint sun. A clear spheroid dome formed a soaring roof above the city’s other geometric-shaped buildings and encased the entire metropolis within a colossal, arcing, transparent shield. To their left, a shimmering, silver path cut through the swirling cloudscape and led into the great city.

Jamie stood stunned, slack-jawed, and stupefied. She scratched absently at a mosquito bite on her arm.

They stepped onto the shimmering path, which jiggled like gelatin as they walked. Dozens of beings nearly identical in appearance to Vixtan rose from the cloudscape and knelt as if she and Vixtan were passing royalty.

“Those who are able wanted to greet you outside the city despite the danger of drifting patches of Ru,” Vixtan said, and quickened his pace. “Most have never seen a pre-nova human, especially the chosen Fen Ta.”

Jamie kept up beside him and nearly stumbled into one of the kneeling figures before regaining her balance on the wiggling walkway. She glanced back along their path. The crowd of Phelastians followed a few yards behind and formed an entourage that swelled in size as they neared the city.

They approached two ornate iron gates guarded by Phelastians wearing full, knight-like body armor. The armor-wearing Phelastians bowed and waved them into an immense courtyard constructed of opalescent marble. A massive three-tiered fountain situated in the center, bubbled glacial-clear water that bounced and refracted brilliant winks of light. Manicured bushes covered with various shades of blue and green leaves grew in gold cylinders along the perimeter. Thin wisps of cloud-haze pooled in the uneven grooves and corners of the floor.

“This is amazing!” Jamie stated.

Vixtan nodded. “Our great city of Phelastia was our pride and joy.”

Jamie cocked her head. “Was?”

Vixtan continued through a smaller gateway, across the courtyard, and into an ornate cathedral with high, ivory walls. Crystal chandeliers hung from the vaulted ceiling.

They entered a wide columned hallway patterned with varying shades of white and gray marble. Pictures of orange trees ripe with fruit lined the walls. The hallway ended in a spacious room draped with elaborate tapestries of vivid color. Four Phelastians sat around a rectangular table carved from a huge purple gemstone. The Phelastian at the farthest end stood up.

“Welcome, Fen Ta,” the Phelastian greeted. “We are honored by your presence. My name is Shooka Ella. I am High Chair to the Council of Phelastia.”

An alarm blared. Mood instantly electrified. A dozen Phelastians clad in full armor marched into the room and lined up against the wall. Each held a metal tube about the size of a baton. Vixtan ushered Jamie to stand beside Shooka Ella.

“What’s happening?” she asked.

Phelastian soldiers aimed their metal tubes at a set of tall double doors at the far end of the room. Handles jiggled and the latch appeared to strain outward, as if something huge were pushing against it. Odors of raw onion overspread the room.

The doors burst open and a towering, albino, gorilla-like creature with long arms lumbered through the doorway. Fine, translucent fur covered its burly body. Knife-size talons poked from its thumbs and three fingers. It wore a brown tunic.

The creature faced Shooka Ella and then its enormous, pupil-less black eyes glared down at Jamie. A shiver raced along her spine.

“Is this the pre-nova human?” the creature growled.

“Yes,” Shooka Ella replied. “She will be the Fen Ta at the signing as Delegate Zare agreed.”

“I am Core!” the creature announced. “Leader of the Dwellers and successor to become overlord.”

Core lurched back from the table and the Phelastian guards targeted their metal tubes at his head. He curled his lips, exposing long, yellow, plaque-encrusted, canine teeth and laughed a sound like a pig slaughtered.

“No need for this aggressive display,” Core said. “If I wanted to destroy you, Shooka Ella, you’d already be a pile of dust sifting across your beautiful courtyard. We meet two hours before lights end at the Shrine of Bella to sign the treaty and formally end the hostilities. This is all I came here to say.”

Core loomed over Jamie and glowered. Fear prickled the small hairs on her neck.

“Your generation is weak, human!” he stated. “It sickens me that I evolved from you.”

He strode through the double doors and two soldiers moved quickly to close and lock them.

Shooka Ella turned to Vixtan. “Take the Fen Ta to the nutrient replenishment structure and then show her the places we discussed. Bring her to my chambers for a final briefing when your task is complete.”

Friday, August 19, 2011

The Science of Writing Science Fiction

Guest Post by Jason Halstead

Erin asked me to write up a guest blog and, well, who am I to refuse a lady in need? What’s more, Erin edited a book of mine I published a year or so back with called Human Nature and she did a great job.

So I write science fiction and fantasy primarily. I started out in fantasy, both in my early years of thinking I knew how to write and in my first published novel. Why fantasy and not sci-fi? Well, fantasy was easier! With fantasy I could make up the rules – even the really important ones like which way is up. That’s the magic of the fantasy genre, both figuratively and literally.

Science fiction is a lot more complicated. With sci-fi a responsible author feels obligated to remain plausible (most of the time). I liken it to the difference between Star Wars and Star Trek. Star Trek was and is written by people with a respect for science and for imagining what the future could be. Star Wars was and is written by people who aren’t interested in science and rules, but rather in telling a story in an environment with cool guns and cooler outfits for enslaved princesses. Which is better? If you ask me a blend of the two with a preference towards the Star Trek end of the range. In either case, preservation of the outfits should have a high priority.

I have entire books written and sitting on my hard drive - and some begun and abandoned - in the sci-fi genre. I got caught up so much in the hard SF aspect that I lost the story and the characters. The science behind the fiction has to be plausible, but there are very few people these days that can go into detail about futuristic science and technology without losing readers along the way. The late, and great, R.A. Heinlein was arguably one of the best at this. Then again not many people can plot a rebellion and secession of the moon while simultaneously working with the government to enable humankind to reach the stars. Not only that but come on, who these days has their multiplication tables memorized all the way up to 20 x 20? I sure don’t.


The trick to writing science fiction, I find, is to stop being so hardcore. Rather than trying to explain the manner in which localized singularity generators can compress space-time around a ship to enable a starship to travel faster than the speed of light it’s a lot easier to just say, “Vitalis was seven light years beyond the outer periphery of human solar systems but thanks to the FTL drive they could make it in three months.”

Incidentally the singularity generators directionally warp space time to allow conventional propulsion to allow a ship to cover more distance without actually reaching or exceeding the speed of light. No, it’s not realistic and it’s highly unlikely anything like it would ever be viable but it is a great example of all the thought I’ve put into this sort of thing that you’ll probably never see in a book of mine because, seriously, who cares?

The take home here? Details rock, but don’t bore your readers with them. To me a book isn’t about genre so much as it’s about story. Use the genre to further the story, not to show how much smarter you are than Einstein because you figured out the flaw with the Theory of Relativity. Trust me, you didn’t.

Got some aliens? Cool! As a reader I don’t need to know the precise ratio of their preferred mix of nitrogen : oxygen. If they can breathe our air great. If they can’t, give ‘em a helmet or some breathing apparatus. The obvious caveat to that is if a detail is integral to a story. If said alien needs a high percentage of hydrogen to breathe and humanity’s only hope involves convincing one to belch while holding a lit match in front of them, pay some attention to it.

Focus on the characters and the story. Develop them, move them, make them see and feel what’s going on. The reader wants to feel what it’s like rocketing through space and staring at the beautiful swirls and colors of a gas giant out the port window, they don’t want to read the concentration of gases in the atmosphere and hear how their interaction with each other causes the prismatic blend.


Who is this guy?

Jason Halstead is a sci-fi / fantasy author who spends his free time with his wife and children and hitting the gym in hopes of getting back into competitive powerlifting. During the day he spends time chained to a desk as an IT Manager in the automotive industry. Check him out on http://www.booksbyjason.com!

Erin's Note: Please check out Human Nature, one of the coolest books I've ever had the pleasure of editing. It's also, coincidentally, the title of one of my favorite Madonna songs.

Image Attribution:
Robert Heinlein (with L. Sprague de Camp and Isaac Asimov) photo by U.S. Navy - public domain
Gas giants image by NASA - public domain

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