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Showing posts with label The Sacred Book of the Werewolf. Show all posts
Showing posts with label The Sacred Book of the Werewolf. Show all posts

Tuesday, December 18, 2012

My Nerd Girl Nirvana

I wrote this post in April 2011 as a guest post for another blog. That blog went off the Internet, so I'm reposting it here.

This is the piece of nerdiness that I’ll own: I’m a bookworm. I keep a book in the bathroom so I can read while I’m brushing my teeth. If I could figure out how to take them in the shower with me, I would. I keep Banana Yoshimoto’s Kitchen in the kitchen; there are two bookshelves there, one for cookbooks and one to catch the overflow from the office and the dining room. A drawer in the bedroom is stuffed with all the magazines I want to keep forever.


The height of my nerd girl nirvana is the semi-annual book sale in the city where I grew up. I can’t go alone, though--I have to take my grandma. I have breakfast with her every Sunday, and she always lets me know when another sale is coming up. We can’t go on the day when they open the doors to the public on Saturday, though. We have to buy the special Friends of the Library pass to get into the Thursday pre-sale.

We have a pattern. First I have to find her a cart. Between the two of us, we’ll need it. Grandma brings a list every time, but I like to take my chances. We skip the CD, magazine and children’s book sections and go straight for the new (well, gently used) hardcover fiction. She finds mysteries and mainstream fiction there. If I’m lucky, I find something paranormal. Some of my lucky finds have been The Passage, The Sacred Book of the Werewolf and Vampyres of Hollywood.


After the new fiction, there’s a huge section of older fiction. Grandma takes her time through there; I eventually wander off to the romance novels. They get picked over early, even when we show up within the first two hours of the sale. (You don’t want to be there at the very beginning; too crowded.) On a good day I might find a paranormal or fantasy romance. An anthology with Laurell K. Hamilton or MaryJanice Davidson is always nice. 

Grandma likes to wander the nonfiction shelves; I give them a more passing glance, unless there‘s a topic I‘m deeply into that week. By this time I’ll have added five or six books to the cart. This will cost me about $2.50.

We split up once again while I look at the DVDs. There are still a few seasons of The Simpsons I don’t have on DVD yet, and I’m always hoping to run across those. Barring a Simpsons find, the best thing I can hope for off the neatly alphabetized DVD shelf is a Christian Bale movie I don’t yet own. Okay, so I’ll admit to these two strains of nerdcraft as well: I can quote Simpsons characters for hours on end, and I have a squealing schoolgirl crush on Christian Bale. I’ll even watch Newsies.

After we pay for our reasonably-priced purchases, we load them into Grandma’s fold-up bookbag on wheels. At her house, we’ll separate hers from mine. On our way to the car, we might stop and look at the carts of free books outside. We don’t like to stand outside in bad weather, though. Besides, we’ve already had enough fun to last us until the next book sale.

Erin O’Riordan is a cool erotica writer, like Anais Nin, until you put a book in front of her and turn her into a drooling geek. 

Since I wrote this, Irish granny has had breathing problems and spends less and less time away from her house. We no longer go to the book sales together. In fact, she no longer gives me a list of books to get for her. Her eyesight has also gotten worse, and she doesn't spend a lot of time reading anymore. This is a scan of our last book list.



The 2012 book by Bob Woodward is actually called The Price of Politics, despite what my side note says. 

Saturday, July 7, 2012

Hooker Please ~ Prostitutes in Literature

On account of reading and writing so much about prostitution lately, I threatened HERE to write this blog post, and now I did. I don't judge people for non-monogamy or for having jobs in sex work, but just for the record, I categorically oppose human trafficking, forced prostitution of any kind and the sexual exploitation of minors.

The two former prostitutes I've known in my life were both recovering drug users, and their sex work was directly related to their addictions. This doesn't apply to any of the five characters you'll read about below - obviously, for artistic purposes, there's a bit of a disconnect between reality and fiction.


I warn you, a spoiler is coming up for Mockingjay, so don't continue unless you've finished the entire Hunger Games trilogy.

Prostitutes in Literature I've Read Recently

1. A Hu-Li, The Sacred Book of the Werewolf by Victor Pelevin. A Hu-Li is a supernatural kitsune, a fox shape-shifter. Owing to her supernatural ability to influence human minds, she never actually has to physically touch her clients. Until she starts falling in love, A Hu-Li is, paradoxically, a virgin prostitute, at least in the sense that she’s never had intercourse in her unnaturally long life.


2. Lorene (Alma Schmidt), From Here to Eternity by James Jones (currently reading). Lorene is Alma Schmidt’s “house name” at the Honolulu brothel The New Congress Hotel. She’s a native of Oregon who told her mother she was going to Hawaii for a few years to work as a secretary. Alma has a legitimate reason for wanting to earn her own money: she doesn’t want to have to depend on a man. The first night Robert E. Lee Prewitt meets her, he’s in love. She won’t marry him because, in order to preserve her reputation to the extent that no one would ever believe she’d been a prostitute, she intends to marry a high-status husband.

3. Finnick Odair, Mockingjay by Suzanne Collins. Mockingjay is a war novel, and many outrages happen therein, but few upset me as much as Finnick’s fate as a 17-year-old Hunger Games victor. In Catching Fire, Finnick’s flirtatious nature made him seem like he was overly confident, cocky and proud. In Mockingjay, we learn his sexualized way of relating to other people is the result of exploitation from the Capitol – he was literally pimped out to wealthy male and female clients. Unlike Alma, Finnick gets to marry his true love, Annie, who is pregnant when Finnick is killed in battle.


Sidebar: What do Katniss Everdeen and Robert E. Lee Prewitt have in common? They look somewhat similar - tall and slim, with an olive complexion. They both come from a coal mining area, and both had coal miner fathers. Prew drinks like Haymitch, though.

4. Sophie-Anne Leclerq, Definitely Dead by Charlaine Harris. 1,100-year-old French teen Sophie-Anne Leclerq is a recurring character in Harris' Southern Vampire Mysteries series, until her true death. Definitely Dead is the book in which the heroine Sookie Stackhouse hears Sophie-Anne’s tale. As a mortal human, Sophie-Anne was the sole survivor of a wave of plague that destroyed her village. When she met up with other human beings again, they exploited her and put her to work as a prostitute. Her callous treatment by other humans is some of the reason why the vampire queen of Louisiana is so cold and calculating, a terrifying and powerful woman.


5. Myrtle,The Seven Descents of Myrtle(also known as Kingdom of Earth) by Tennessee Williams. I didn't actually read this one; via Kala's (TheDorkMistress') Tumblr, I heard this recording of the short story/dramatic monologue being read by Tom Hiddleston. Tom Hiddleston is one of the stars of Tumblr, beloved by fangirls everywhere for his portrayal of the comic book villain/Norse god Loki in the movies Thor and The Avengers. Hiddleston narrates the story as "Chicken," the character who steals his half-brother Lot's new wife, Myrtle.


(This is an odd image of Loki, but it resonates with the "seven descents" in the title - Dance of the Seven Veils, get it? But then again, in Norse mythology, Loki is sometimes female. He/she gives birth - the wolf-monster Fenrir, who may or may not appear as a character in The Sacred Book of the Werewolf, is one of the offspring of which Loki is the mother.*)

Myrtle and Chicken have a long, philosophical talk in which she describes being sexually harassed and then raped by her boss as a young teen. Despite the violence of her experience, she learned that she liked the sexual act itself* and became a prostitute as well as a showgirl before marrying Lot. Lot, afflicted with tuberculosis,is a pathetic figure; Myrtle married him largely out of pity. Lot calls Myrtle’s name all night while she’s up in the attic making love to Chicken, and in the morning the two come down to find Lot dead.

Prostitutes in Literature I Haven't Read

For this, I've enlisted the aid of the trusty New York Public Library Literature Companion. I feel as if there should be some character who comes immediately to mind when I think of literary prostitutes, and I’m having a brain cramp and just not thinking of him or her. Help me out here, blogosphere – who else belongs on this list?

-- Moll Flanders, The Fortunes and Misfortunes of the Famous Moll Flanders by Daniel Defoe. Being a prostitute is counted among Moll Flanders’ misfortunes. Later in her life, she becomes rich, repents, and dies an honest woman. Stupid Flanders. 


-- Lulu, Pandora’s Box by Frank Wedekind. Lulu is the classic literary femme fatale – she literally causes the deaths of those around her. Like Moll Flanders, she grew up on the streets. In her declining years, Lulu is reduced to prostitution, and her final client is Jack the Ripper. Louise Brooks played Lulu in a 1929 silent film.


-- Maureen Wendall,Them by Joyce Carol Oates. Maureen is the daughter of Howard and Loretta Wendall, a working-class couple. Howard, a police officer, is once busted for taking money from prostitutes. After his death, Loretta relies too heavily on her young daughter to take care of her, and Maureen works as a prostitute to build an escape fund. Her stepfather finds out and beats her, resulting in a nervous breakdown. Maureen’s older half-brother, Jules, sexually abuses and pimps out a woman. So, typical Joyce Carol Oates: heavy, depressing dysfunction all around.


I do not volunteer to read any of these things. 'Specially not J.C.O. I'm still traumatized by "Where Are You Going, Where Have You Been."


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Thursday, December 29, 2011

My Besties - Favorite Books of 2011, That Is


Looking over the books I read this year, I was surprised by how much YA I read and how little paranormal romance. In part, I blame Amazon Vine - I keep choosing YA books as my twice-monthly free items. My TBR pile going into 2012 has several PNR paperbacks, but I'm in no particular hurry to get to them. I do feel that if I give the genre a bit of a rest, I'll only appreciate it more when I do get back to it.

Not all of these were published in 2011, but this is the year I read them. Here they are in alphabetical order.

Beauty Queens by Libba Bray. The whole thing is a delicious send-up of pop culture and sexism. My favorite character is Adina, Miss New Hampshire, a journalist embedded in the pageant. She's a smart, Jewish feminist - sort of a teenage Emma Goldman. I also like lesbian, comic-book-loving Miss Michigan (Jennifer), the transgendered contestant (I won't give it away) and Indian-Californian Valley Girl DJ-wannabe Miss California (Shanti).

Dead Reckoning by Charlaine Harris. This is the 11th Sookie Stackhouse book. (Only 2 more to go - .) Loved it! Whether or not Eric actually ends up mated to the vampire queen of Oklahoma, Sookie's turning away from him. Bill's vampire "sister" is out of the picture once again...dare I hope Bill and Sookie will get back together in the series' last two volumes? I'm glad Sandra Pelt is finally out of the way, and I thoroughly enjoyed the Alcide scene (though I'm not sure how Sookie was able to resist the temptation!). If I were Sookie, I think I'd use the cluviel dor to wish Bill hadn't been sent by Sophie Anne, or at least that he hadn't lied about it.

The next book is going to be called Deadlocked.

Dream Lover, edited by Kristina Wright. A collection of diverse, elegantly erotic tales of paranormal romance. Given my personal preference for wolf tales, it may come as no surprise my personal favorite in this collection is Alana Noel Voth's "Moongirl Meets the Wolf Man." Full review here.

Family by Michael Ostow. The young protagonist of this unusual novel-in-verse, Mel, is one of those tragic young adult characters, the likes of which inspired Meghan Cox Gurdon to write her controversial Wall Street Journal essay "Darkness Too Visible." Yet it ends on a hopeful note. Full review here.

Howl's Moving Castle by Diana Wynne Jones. A charming and delightful story, a witches' love story appropriate for all ages. I saw the anime version first (yes, with Christian Bale as the voice of Howl). The plots aren't exactly the same, but they both involve a good deal of green slime, and both are utterly charming. I recommend this book to anyone who enjoys a good fairy tale.

Isis by Douglas Clegg. The most beautiful part of this eerie tale is Clegg's description of what the Cornish call the Isle of Apples (Avalon), the land of the dead. But just as J.K. Rowling warned in "The Deathly Hallows" in The Tales of Beedle the Bard, those brought from the land of the dead do not belong in this world. Iris should have listened to the old legends.


Juliet Immortal by Stacey Jay. O Romeo, Romeo, wherefore art thou some guy named Dylan? It's because in this immensely imaginative novel, Stacey Jay manages to turn everything we think we know about the world's most famous pair of impulsive teenage lovers on its head. At the risk of sounding like a young adult instead of an adult reviewer reading a YA book, OMG, this novel is SO good! Come to think of it, it's both YA and PNR.

Steamlust: Steampunk Erotic Romance, edited by Kristina Wright. There's a good reason why I keep reviewing Cleis Press titles - the publisher consistently puts out high-quality anthologies. I believe the key to good steampunk is the same as the key to good erotic romance: the beauty is all in the details. Fortunately, Wright's editing instincts do not fail her, and Steamlust is full of glorious details. Full review here.

The Inquisitor's Apprentice by Chris Moriarty. It's sort of like The Prestige mixed with Harry Potter mixed with the Disney musical Newsies, but with more Jewish characters. Its protagonist is 13-year-old Sacha Kessler, who lives in the tenements, circa 1900. Magic is technically illegal in America, but still widely practiced, and one day Sacha learns he can see magic. This rare talent leads to his new job as an inquisitor's apprentice.

The Sacred Book of the Werewolf by Victor Pelevin. A Hu-Li is a werefox, but she's so much more than that. She's 2,000 years old, one of a sisterhood of werefoxes from ancient China. These foxes are a kind of energy vampires, using prostitution as a cover to feed off the sexual energy of men. Through a kind of hallucinogenic effect they produce with their fox-tails, A Hu-Li and her sisters never actually have to touch these men. A Hu-Li is, in fact, a 2,000-year-old virgin. For the first time in her extremely long life, A Hu-Li is faced with the prospect of falling in love.


What I'm reading going into 2012: The Adventures of Sherlock Holmes by Sir Arthur Conan Doyle. I read a few of these short stories in grade school, but not at all since then. I'm enjoying them.

Friday, September 30, 2011

The Vampire Diaries: The Return Vol. 1: Nightfall

Something weird has befallen the Virginia town of Fells Church in L.J. Smith's fifth volume in her Vampire Diaries series, The Return Vol. 1: Nightfall. At the end of the last book, Elena Gilbert was back from the dead, though she still had a certain unearthly, almost angelic quality about her. That's not the weirdest thing that's going on in this small Southern town, though.

In the televised version, the gang is still wrestling with Klaus. By the fifth volume of the book, Klaus has been defeated, and a new pair of villains emerges. They're the twins Shinichi and Misao, and they're kitsune, the shapeshifting fox demons of Chinese and Japanese mythology. I first encountered such a character in The Sacred Book of the Werewolf by Russian novelist Victor Pelevin, and subsequently read about in "The Fifth Beauty" by Ellison James. Kitsune are rare in Western mythology, though, and their evil tricks in this book are refreshingly original and twisted.

As longtime readers may know from my back-and-forth with Damon fan Shah Wharton, Stefan is my preferred Salvatore brother. Yet Stefan disappears fairly early in this 586-page paperback, and it's Damon's time to shine. Fans of the TV show should note one important difference between TV Damon and book Damon: book Damon's chastity is enforced by his vampirism. Like the monsters of Anne Rice's novels, Smith's vampires live only to bite and to drink blood, not to make love. For Elena, though, Damon's long-dead instincts are stirred for the first time in centuries:

"Human desire. Vampires didn't feel that. It was all sublimated into the need for the blood, always the blood...

"But he was feeling it.

"He knew why, too. Elena's aura. Elena's blood...He realized that it was a very long time since he'd felt this, and that therefore he must be quite wrong. But he didn't think so. He thought that Elena's aura would make the most fossilized of vampires stand up and blossom into virile young men once again."

Damon is at his most human at that moment. In other places within this book, under the influence of the kitsune twins, he is also at his most inhuman and monstrous. There is much horror in this volume, and not all of it takes places between Damon and Elena. Caroline is quite a surprise here, too, especially in the final twist at the end having to do with Tyler Smallwood. (On TV, this character's name has been changed to Tyler Lockwood, perhaps to avoid the implied reference to penis size. Both TV and book Tyler have tendencies to a be a dick. I want to like Tyler mostly because on TV he's played by a gorgeous young Latino, Michael Trevino. But I digress.) Caroline's unusually aloof, mean and boy-crazy, even for Caroline - the kitsune have gotten to her, too.

A Caroline possessed (in more ways than one), exotic werecreatures with nasty tricks up their sleeves and Damon on his best/worst behavior makes for a fascinating addition to the Vampire Diaries canon.

P.S. Sept. 30th is the last day to sign up for the Trick or Treat Blog Swap.

Photo of Paul Wesley: Tomdog, cropped by LeeGer; Creative Commons license. Michael Trevino: Rach from Tadcaster, York, England; Creative Commons license.

Monday, May 16, 2011

Review: 'The Bowl of Light' by Hank Wesselman

In this book, Hank Wesselman, Ph.D., an anthropologist who has spent extensive time with indigenous African peoples, details some of the wisdom he and his wife Jill Kuykendall gained from an extraordinary friendship with Hawaiian elder Hale Makua. In American English usage we use the Hawaiian word kahuna to mean "boss," but Makua was a true kahuna, a spiritual shaman.

Wesselman and Makua met at one of Wesselman's lectures. Given the floor to speak, Makua told Wesselman he'd read Wesselman's previous book Spiritwalker, talked about it with the Ancestors, and the Ancestors told him everything Wesselman wrote in that book is true. One of Makua's most memorable teachings is that "each of us comes into the world from the great beyond with our bowl of light," and we can either let the light shine or fill the bowl with stones (hurtful actions). When the light grows too dim, we must pour out the bowl and cast away the stones, allowing our bowls to shine once more.

Makua taught Wesselman the Polynesian lore of how the Ancestors came down from the stars, guided by whales and dolphins, the reason these creatures are so sacred in Hawaiian culture. These guardians gave the human race two assignments: grow, and love one another. Native Hawaiian spiritual teachings will be unfamiliar to most Americans, so this book serves as a wonderful introduction, just as Black Elk Speaks introduced Lakota teachings to mainstream American. People of all faiths can learn much from the late Hale Makua through this book.

In his work of fiction The Sacred Book of the Werewolf, Russian author Victor Pelevin wrote, "The energy that serves for the conception of life does not belong to people. Entering into the act of love, a human being becomes a channel for this energy and is transformed from a sealed vessel to a pipe that is connected for a few seconds to the bottomless source of the life force. I simply require access to that source, that's all."

Makua, like Pelevin's character A Hu-Li, believed this. Makua told Wesselman,"Sexuality is one of the great gateways to transcendent experience...In fact, sexuality is probably the fastest way we can reach spirit."

In another fascinating passage, Makua discussed the four directions. By traditional association in Polynesia, men correspond to the east and women to the west. Women and the west are also in charge of both healing and death and influenced by the planet Venus. This is remarkably resonant with the mythology I explored in the "If I Die Young" post. Greco-Roman civilization called Venus/Aphrodite the goddess of love, but also associated her with death. The rose was her symbol, the reason why we still bury our loved ones with roses. Aphrodite collected the souls of the dead in her dove form, as the Valkyries of northern European mythology swooped down to collect warriors slain in battle. The sun setting in the west is a natural symbol of death, so it all makes a great deal of sense that west, feminine energy and death belong together. Hawaiians, like the Greco-Roman cultures, believe in reincarnation, so death always brings the possibility of rebirth.

I received this book at no charge through the Amazon Vine program. I received no other compensation.