***SPOILERS. YOU'VE BEEN WARNED.***
To paraphrase a line from the movie Mean Girls, I have been personally victimized by the month of June 2016. Thus far:
- My cousin Joe died of pancreatic cancer on June 8th. He was 26 years old.
- On Sunday, June 12, the day of his funeral, I woke up to the horrible news of the Pulse night club shooting in Orlando, Florida.
- That same day, I heard a 17-year-old boy from the Michigan town where I work jumped off a pier and accidentally drowned. He was the second boy from his high school to die this year. The other boy had been murdered.
- Then Anton Yelchin, the Jewish Russian-American actor from the new Star Trek franchise, lost his life in a freak accident, pinned against a brick wall by his own car. He was 27.
To quote Winona Ryder’s character in Bram Stoker’s Dracula, “Take me away from all this death.” I am so sick and tired of young people in their teens and 20s losing their lives. It’s all too raw with me.
I probably shouldn’t have watched Season 4 of Orange Is the New Black, then.
XXXXXX MAJOR SPOILER FOR OITNB – YOU HAVE BEEN WARNED! XXXXXX
I didn’t know going in that the show was going to kill off one of its major characters. One of its major, beloved characters. She was a lesbian character played by a lesbian actress, adding an extra layer of poignancy to a terribly sad dramatic development. It’s hard enough to get good LGBTQ+ representation on TV, much less representation portrayed by actually LGBTQ+ actors. I don’t want to overemphasize the point, but it’s an ongoing problem.
Silly me, I finished the season on Tuesday the 21st. I was already in tears when I approached the series finale of Person of Interest. But I had to know how it would all end, who would live and who would die.
My hopes for a happy ending for Sameen Shaw and Samantha Groves a.k.a. Root had already been crushed into the dust with Root’s death, in the episode that aired June 7th. At the time, I shoved that information into a corner of my mind and walled it off, unable to deal with the pain caused by Amy Acker’s character when my real-life family member was literally on his death bed in the hospice house.
At the risk of repeating myself, I find it stressful and depressing that television and books have dealt us so many awful endings for same-gender relationships when, to me, it seems important that young LGBTQ+ people see representations of life getting better after the hell of high school. I desperately want that for them. As the body count of fictional LGBTQ+ characters rises, my nerves increasingly feel raw and frayed.
The Positive: Sameen Shaw lives.
The Negative: She lives without the one single person she ever cared about in her life, and The Machine’s goodbye to Shaw (in Root’s voice) was heart-wrenching.
More Positive: Lionel Fusco lives. I honestly would have been crushed by the thought of Fusco’s son being fatherless. As the only living character on the show to have a child, I was really rooting for him. I’m glad he made it.
Unexpectedly Positive: Finch lives.
But not just lives!
But also…goes back to Grace Hendricks!
She thought he was dead!
I cried like a baby when Grace looked up from her painting and saw Harold’s face.
Expected, But Still Not Good: Reese didn’t make it. He sacrificed himself to upload the code that would shut down Samaritan, the bad machine. Like a certain other character portrayed by Jim Caviezel, John Reese voluntarily died so the world could go on.
I figured Finch, Reese, or both would die in the series finale. Anticipation doesn’t make it feel any better. John Reese and Joss Carter were my ultimate OTP of OTPs, and now they are both in their (separate) graves. I’m sad.
But happy for Grace and Harold.
But still accepting donations of hugs and warm beverages.
Erin O'Riordan writes smart, whimsical erotica. Her erotic romance novel trilogy, Pagan Spirits, is now available. With her husband, she also writes crime novels. Visit her home page at ko-fi.com.
Wednesday, June 22, 2016
Wednesday, June 15, 2016
Sense and Sensibility and Shoot - A Jane Austen/'Person of Interest' Mashup
http://thatwritererinoriordan.tumblr.com/post/101168344200/isagrimorie-fath-ali-shah-qajar-aahoo |
Sameen now found the difference between
the expectation of an unpleasant event, however certain the mind may
be told to consider it, and certainty itself. She now found, that in
spite of herself, she had always admitted a hope, while Root remained
single, that something would occur to prevent her marrying Leon; that
some resolution of her own, some mediation of friends, or some more
eligible opportunity of establishment for the gentleman, would arise
to assist the happiness of all. But Root was now married; and Sameen
condemned her heart for the lurking flattery, which so much
heightened the pain of the intelligence.
That Root should be married soon,
before (as Sameen imagined) she could be in orders, and consequently
before she could be in possession of the living, surprised her a
little at first. But she soon saw how likely it was that Leon, in his
self-provident care, in his haste to secure Root, should overlook
everything but the risk of delay. They were married, married in town,
and now hastening down to her uncle's. What had Root felt on being
within four miles from the subway station, on seeing Mr. Finch’s
servant, on hearing Leon's message!
They would soon, she supposed, be
settled at Long Island.—Long Island,—that place in which so much
conspired to give her an interest; which she wished to be acquainted
with, and yet desired to avoid. She saw them in an instant in their
parsonage-house; saw in Leon, the active, contriving manager, uniting
at once a desire of smart appearance with the utmost frugality, and
ashamed to be suspected of half his economical practices;—pursuing
his own interest in every thought, courting the favour of Colonel Reese, of The Machine, and of every wealthy friend. In Root—Sameen
knew not what she saw, nor what she wished to see;—happy or
unhappy,—nothing pleased her; she turned away her head from every
sketch of her.
Sameen flattered herself that some one
of their connections in Brooklyn would write to them to announce the
event, and give farther particulars,—but day after day passed off,
and brought no text, no e-mail. Though uncertain that any one were to
blame, she found fault with every absent friend. They were all
thoughtless or indolent.
"When do you write to Colonel
Reese, Mr. Finch?" was an inquiry which sprung from the
impatience of her mind to have something going on.
"I wrote to him, Miss Shaw, last
week, and rather expect to see, than to hear from him again. I
earnestly pressed his coming to us, and should not be surprised to
see him walk in today or tomorrow, or any day."
This was gaining something, something
to look forward to. Colonel Reese must have some information to give.
Scarcely had she so determined it, when
the figure of a person on horseback drew her eyes to the window. He
or she stopt at their gate. It was a gentleman, it was Colonel Reese
himself. Now she could hear more; and she trembled in expectation of
it. But—it was NOT Colonel Reese—neither his air—nor his
height. Were it possible, she must say it must be Root. She looked
again. She had just dismounted;—Sameen could not be mistaken,—it
WAS Root. Sameen moved away and sat down. "She comes from Mr.
Elias's purposely to see us. I WILL be calm; I WILL be mistress of
myself."
http://thatwritererinoriordan.tumblr.com/post/125640232200 |
In a moment she perceived that the
others were likewise aware of the mistake. She saw Mr. Finch and
Fusco change colour; saw them look at herself, and whisper a few
sentences to each other. She would have given the world to be able to
speak—and to make them understand that she hoped no coolness, no
slight, would appear in their behaviour to Root;—but she had no
utterance, and was obliged to leave all to their own discretion.
Not a syllable passed aloud. They all
waited in silence for the appearance of their visitor. Her footsteps
were heard along the gravel path; in a moment she was in the passage,
and in another she was before them.
Her countenance, as she entered the
room, was not too happy, even for Sameen. Her complexion was white
with agitation, and she looked as if fearful of her reception, and
conscious that she merited no kind one. Mr. Finch, however,
conforming, as he trusted, to the wishes of that asset, by whom he
then meant in the warmth of his heart to be guided in everything, met
with a look of forced complacency, gave Root his hand, and wished her
joy.
Root coloured, and stammered out an
unintelligible reply. Sameen's lips had moved with Mr. Finch's, and,
when the moment of action was over, she wished that she had shaken
hands with Root too. But it was then too late, and with a countenance
meaning to be open, she sat down again and talked of the weather.
Fusco had retreated as much as possible
out of sight, to conceal his distress; and Bear, understanding some
part, but not the whole of the case, thought it incumbent on him to
be dignified, and therefore took a seat as far from Root as he could,
and maintained a strict silence.
http://www.akc.org/dog-breeds/belgian-malinois/ |
When Sameen had ceased to rejoice in
the dryness of the season, a very awful pause took place. It was put
an end to by Mr. Finch, who felt obliged to hope that Root had left
Mr. Groves very well. In a hurried manner, Root replied in the
affirmative.
Another pause.
Sameen resolving to exert herself,
though fearing the sound of her own voice, now said,
"Is Mr. Groves at the safe house?"
"At the safe house!" Root
replied, with an air of surprise.— "No, my father is in
Texas."
"I meant," said Sameen,
taking up some work from the table, "to inquire for Mr. SAMANTHA
Groves."
She dared not look up;—but Finch and
Fusco both turned their eyes on Root. Root coloured, seemed
perplexed, looked doubtingly, and, after some hesitation, said,—
"Perhaps you mean—my brother—you
mean Mr.—Mr. Samuel Groves."
"Mr. Samuel Groves!"—was
repeated by Fusco and Mr. Finch in an accent of the utmost
amazement;—and though Sameen could not speak, even HER eyes were
fixed on Root with the same impatient wonder. Root rose from her
seat, and walked to the window, apparently from not knowing what to
do; took up a pair of scissors that lay there, and while spoiling
both them and their sheath by cutting the latter to pieces as she
spoke, said, in a hurried voice,
"Perhaps you do not know—you may
not have heard that my brother is lately married to—to the
youngest—to Mr. Leon Tao."
Her words were echoed with unspeakable
astonishment by all but Sameen, who sat with her head leaning over
her work, in a state of such agitation as made her hardly know where
she was.
"Yes," said Root, "they
were married last week, and are now at Dallas."
Sameen could sit it no longer. She
almost ran out of the room, and as soon as the door was closed, burst
into tears of joy, which at first she thought would never cease.
Root, who had till then looked anywhere, rather than at her, saw her
hurry away, and perhaps saw—or even heard, her emotion; for
immediately afterwards she fell into a reverie, which no remarks, no
inquiries, no affectionate address of Mr. Finch could penetrate, and
at last, without saying a word, quitted the room, and walked out
towards the village—leaving the others in the greatest astonishment
and perplexity on a change in Root’s situation, so wonderful and so
sudden;—a perplexity which they had no means of lessening but by
their own conjectures.
http://favim.com/image/2580404/ |
***
Inspired by this post
I just needed some fluffy "Shoot" fan fiction because...well, you know.
Tuesday, June 14, 2016
August: Osage County (Not Spoiler-Free)
Remember “Hardcover Bound 2,” the
clever literary parody of a Kanye West song with a memorable music
video? It contains the lines:
“They ask me what’s next on my
reading list-
Ever start a book that you can’t
finish?!
Caryl Churchill and Tracy Letts, I
Think I’ll make time for Samuel
Beckett
Books can help you overcome lotsa
things
You know, I know,
Why the Caged Bird Sings.”
I was vaguely aware of Samuel Beckett
as the author of Waiting for Godot, some kind of experimental play in
which the two on-stage characters are waiting for an off-stage
character who never shows up. As far as I could remember, I hadn’t
heard of Caryl Churchill or Tracy Letts. To me, that sounded like the
names of two lady playwrights.
It turned out I had actually heard of
Tracy Letts, though. (And that he is a boy.) Several years ago, my
dad told me and my husband we should watch a movie called Bug, which
he said was one of the weirdest things he’d ever seen. So we
watched the film, in which Ashley Judd played the main character.
The movie was made in 2006. I didn’t
realize it at the time, but it was based on a Tracy Letts play. Letts
had another play made into a movie in 2014, and Meryl Streep won an
Oscar for playing Letts’ main character Violet Weston in August:
Osage County. I watched the film version on Saturday, June 11, on
Netflix.
August: Osage County is set on Kansas.
I’ve never been to Osage County, but it’s the county directly
south of the one in which the city of Lawrence sits. I passed through
Lawrence on my way to Manhattan for my nephew’s 2012 wedding.
The rural county is the home of poet
and playwright Beverly Weston and his wife, Violet, who are both white. Violet has mouth
cancer and a strong dependency on pain pills. The pills amplify her
tendency to say whatever’s on her mind, no matter how blunt,
thoughtless, rude, or obscene it happens to be. Bev hires a Native American woman
named Johnna to help him take care of Violet, since Violet’s care
is seriously cutting into Bev’s drinking time.
When Bev disappears, Violet’s family
converges on the house: daughters Barbara, Ivy, and Karen (only
middle daughter Ivy still lives in Kansas), sister Mattie Fay,
brother-in-law Charles (played by Chris Cooper, who previously played a Kansan in Capote), nephew Little Charles, granddaughter Jean,
Barbara’s estranged husband Bill, and Karen’s fiancĂ© Steve.
Mattie Fay is very harsh and mean to
her son, Little Charles, played in the film by Benedict Cumberbatch.
I have only recently warmed to his charms. At first I was like, “Ha
ha – Benadryl Cookingpot.” That he played the creep in Atonement
did not help his case. (Atonement makes a good case for falling in
love with James McAvoy or Keira Knightley.) Tumblr wore me down
until one day I said, “BBC Sherlock Holmes – actually kind of
good-looking. And he does do that sexy impression of Alan Rickman…”
(See The Simpsons.)
Let that be a lesson to ya, kids – stay away from Tumblr and British television. They’ll rot your brain.
Let that be a lesson to ya, kids – stay away from Tumblr and British television. They’ll rot your brain.
Little Charles is the family
disappointment, and the one thing that makes him happy is his cousin
Ivy. They are having an affair that the rest of the family doesn’t
know about. In one scene, Ivy goes to kiss Charles but he stops her,
reminding her they have a deal not to be affectionate around the
family. Then he stares at her in a very dreamy and romantic way,
finally saying, “I adore you.” In another scene, they sit at the
piano and he sings her a song he’s written for her.
It soon comes out, though, that Bev and
Mattie Fay had an affair years ago. Ivy and Little Charles are
possibly – probably – half-siblings. Little Charles doesn’t
find out, but Ivy does. This does not change Ivy’s plans to run
away with him to New York. She reasons that since she’s had a
hysterectomy and can’t have any biological children, they aren’t
hurting anyone. And it’s hard to argue with her logic. I mean, they
were both fine with the fact that their mothers are sisters. They
know they’re at least first cousins. It’s not too big a leap.
It’s a pretty grim, gloomy movie
overall. If I were a theater major in college, I would compare and
contrast Tracy Letts’ bitter matriarch Violet Weston with Tennessee
Williams’ overly entangled, bitter matriarch Violet Venable in
Suddenly Last Summer.
I don't know if I liked August: Osage County, but it was certainly interesting.
I don't know if I liked August: Osage County, but it was certainly interesting.
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